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A TRANSMISSION FROM THE ARCHIVE

Afrofuturism 2.0

the rise of astro-blackness

by Reynaldo Anderson; Charles E. Jones

Earliest known edition
2016
Selected edition
unknown
Pages in this edition
222
English editions
1 ↗
SELECTED EDITION DETAILS

2016 · Lexington Books; Lexington Books, an imprint of the Roman & Littlefield Publishing Group, Inc. · eng

BETWEEN THE COVERS

From the catalogue

"The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the North American-African diaspora community. After Mark Dery coined the word 'afrofuturism' in 1993, Alondra Nelson--as a member of an online forum--along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that '[a]frofuturism has emerged as a term of convenience to describe analysis, criticism, and cultural production that addresses the intersections between race and technology.' Afrofuturism 2.0: The Rise of Astro-Blackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music, and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, and philosophy and reflects its current growth as an emerging global Pan African creative phenomenon"--

Source text from Open Library. This may be a publisher description, an excerpt, or contributor text.

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Catalogued editions of Afrofuturism 2.0
EditionPublicationFormatPagesSource
Afrofuturism 2.0Selectededited by Reynaldo Anderson and Charles E. Jones2016unknown222Open Library ↗
THE IDEAS CONNECTING THE DOTS

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/tags/OL179T21st centuryBlacks in popular cultureHistoryRace identityBlacksSocial aspectsAfrican Americans in popular cultureScience fictionAfrocentrismTechnology in popular cultureAfrican AmericansFuture, The, in popular cultureAfrican influencesWestern CivilizationBlacks, race identityAfrican americans, race identityAfrofuturismEthnische IdentitätMassenkulturSchwarzeTechnologieBlack people in popular cultureBlack people